A rich debut collection from a promising new poet -- selected by Campbell McGrath as a winner of the 2004 National Poetry Series Open Competition
The volume gathers an ambitious sequence of poems, tracing how sacred relics, Caravaggio’s canvases, and the Medici tombs register both violence and grace. Florence and Rome frame these historical encounters, from the cloister of San Marco to the preserved cape of Savonarola.
Norton extends this inquiry into twentieth-century memory, observing a father’s quiet death in Philadelphia alongside the austere disciplines of Zen Buddhism.
For more than twenty-five years, the National Poetry Series has sought out and discovered new voices, helping to launch the careers of such luminaries as the former poet laureate Billy Collins, Mark Doty, Denis Johnson, Stephen Dobyns, Mark Levine, and Dionisio Martinez.
Camille Norton is Associate Professor of English at the University of the Pacific in Stockton, California. Her previous awards include the Grolier Prize in Poetry, the Derek Bok Award for Teaching, and the Eberhardt Teacher-Scholar Award. She is coeditor of Resurgent: New Writing by Women; her recent work has appeared in Field: Contemporary Poetry and Poetics, The Colorado Review, Tiferet, Iris, Exphrasis, The White Pelican Review, The Gail Scott Reader, and How2, an online journal of women and experimental writing.