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A taxidermied parrot, insulted by a stodgy uncle, comes violently alive and batters the poor fool to death with its beak. A terrible tyrant, Zar Palemón, presides over grotesque ritualized sex acts in his court—which is itself contained in a demonic gemstone the size of a fist. And deep in the Andes, in a hidden cave, an unremarkable house cat waits to trap its hapless victim with a Gorgon’s gaze and engage him in a staring contest on which the fate of the cosmos just might depend.
Such are a few of the bizarre adventures found within Juan Emar’s mind-bending collection of short stories, Ten. Allegory? Parody? Horror? Surrealism? Yes to all, and none of the above: where lesser writers mark their end-point, the unclassifiable Juan Emar jumps off, straight into the deep end. Life is far from still in Emar’s world, where statues come alive, gaseous vampires stalk, and our hopes and fears materialize in a web of shocking interconnections unified by twisted logic and crystalline prose.
Now, Ten is available in English for the first time, deftly translated by Megan McDowell and with an introduction by César Aira, who writes: “Emar has neither precedents nor equals; his echoes and affinities—Lautréamont, Macedonio Fernández, Gombrowicz—flow from his readers’ own inclinations.” Byzantine and vivid, intricate and bizarre, this quiver of shorts by Chile’s most idiosyncratic mad genius of literature will leave readers astounded for decades to come.
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Juan Emar is the pen name of Chilean writer, painter, and art critic Álvaro Yáñez Bianchi. Born in Chile in 1893, he was a strong advocate of the artistic avant-garde of the 1920s and 30s, and his critical writings helped revolutionize the art scene in his country. Under-appreciated in his time, he is now considered to be one of the most important 20th-century Latin American writers.
Megan McDowell has won the English PEN award, the Premio Valle-Inclán, and a 2020 Award in Literature from the American Academy of Arts and Letters; she also has been nominated four times for the International Booker Prize. She won the 2022 National Book Award in translation alongside Samanta Schweblin for Seven Empty Houses.
