Dayna Proctor is a music producer, recording engineer, and educator with over fifteen years of experience working across commercial studios, independent projects, and home production environments. She began her career as an assistant engineer at Silver Creek Studios in Nashville, where she worked on sessions for country, rock, and Americana artists before transitioning to independent production and mixing work.
Proctor is the founder of Home Studio Academy, an online education platform that has trained more than 8,000 aspiring producers through structured courses in recording, mixing, and music business fundamentals. She has produced, engineered, or mixed over 200 commercial releases spanning indie rock, electronic, folk, and hip-hop, with credits including multiple Billboard-charting independent albums. Her production credits include the critically acclaimed *Northern Lights* EP by Luna Ashford, the self-titled debut by indie rock band The Weather Vane, and the genre-blending *Borderline* by producer-artist Kaelen Vega.
Her writing on home recording and music technology has appeared in *Sound on Sound*, *Mix Magazine*, and *Tape Op*, and she is a regular speaker at the National Association of Music Merchants (NAMM) Show and the Audio Engineering Society (AES) conventions. She developed the curriculum for the Recording Connection's home production program and has been a guest lecturer at Belmont University's Department of Audio Engineering Technology.
Proctor's work is informed by a simple philosophy: that professional-quality music production should be accessible to anyone with the willingness to learn, regardless of budget or formal training. She is an advocate for independent artists and DIY recording culture, and she actively mentors women and nonbinary individuals entering the audio engineering field through the She Is The Music mentorship program.
She lives in Portland, Oregon, with her partner and two cats, where she continues to produce records, develop educational content, and experiment with microphone placements in a room she refuses to treat properly because "it sounds fine."